Book review: “The Prodigy”, by John Feinstein ⭐⭐⭐-1/2

I have been aware of John Feinstein’s writing, especially his golf writing, for many years; in fact, his 1996 chronicle of a season on the PGA Tour, A Good Walk Spoiled, was my introduction to non-fiction reading about professional golf. Though I have concentrated on his golf writing, Feinstein has written several well-regarded books on basketball, baseball, and football—and I have only recently learned that he has also authored a series of sports-related YA (young adult) novels, including the recent release, The Prodigy, the first of his books for younger readers on the subject of golf.

The Prodigy is the new YA sports novel from John Feinstein—his first that is set in the world of golf.

The Prodigy is the somewhat fanciful tale of a 17-year-old golf phenom named Frank Baker, a nice kid from a small town in Connecticut who has amazing golf skills. The book is set in the recent past—2017 and early 2018, to be exact—and we pick up the story when Frank is preparing to play in the 2017 U.S. Amateur at Riviera Country Club, in the upscale Los Angeles-area city of Pacific Palisades.

Frank is being raised by his father, Tom, a divorced single parent who is a freelance stock trader—and a full-time golf dad. Frank is looking forward to playing college golf, and given his record, which includes making it to the semifinals of the U.S. Amateur the previous year at the age of 16, he is assured of a multitude of offers, from the best programs in the country. His father, on the other hand, has his eyes on a different prize.

Frank’s prowess on the golf course has attracted attention from more than just college coaches; agents and equipment company reps have shown interest, and the book’s story arc is built around the conflict that arises when Frank’s dad gets too cozy with an agent from a big sports-representation firm. Frank is under pressure from his dad and the agent to forgo a college career and turn pro. The pressure gets more intense when the youngster earns a spot in the field at the 2018 Masters, heating up even more when Frank shows that he can keep up with the big boys on one of the biggest stages in the game of golf.

There are two people in Frank’s corner in all of the drama surrounding his college / pro dilemma: his swing coach, Slugger Johnson—the head pro at Frank’s home course; and Slugger’s longtime friend and college golf teammate, Keith Forman, a former low-level pro golfer turned golf writer. Forman’s involvement raises journalistic dilemmas for him as he finds himself becoming part of Frank’s story—even coming into conflict with Frank’s father and the ever-present agent—and not just a dispassionate observer who is reporting the story.

Feinstein creates an air of conflict that the Keith Forman character has to work through, describing a number of rather hostile encounters between Forman and tournament volunteers and security personnel, even citing a USGA training session for marshals in which media-badge holders are singled out as untrustworthy (based on a real experience of Feinstein’s—I guess I had better watch my P’s and Q’s the next time I’m at a USGA event on a media credential!)

The conflict between Frank (with Slugger and Keith in his corner), and his dad and the agent, along with his extraordinary play at one of the most high-profile golf tournaments in the world, are the main factors that combine to bring the action to a dramatic conclusion at the 2018 Masters.

One thing you can be sure of in a John Feinstein book is the insider’s touch. Feinstein knows everybody in the game, from players to agents, equipment reps, media folks, and officials and functionaries from the USGA and the PGA Tour. This knowledge is on full display in The Prodigy, to the extent that it starts to feel like rather gratuitous name-dropping. Players, including big names like Phil Mickelson, Jason Day, Rory McIlroy, Jordan Spieth, and Justin Thomas, not only have cameos, they play significant roles in the story, interacting with Frank and the other characters.

And it’s not just players, though they are the most recognizable names. Some of the other real-life names that are dropped include golf media personalities from TV, print journalists, and behind-the-scenes folks from the USGA and the technical side of broadcasting. As for the agents and equipment reps, they get the same short shrift that Florida real-estate developers get in a Carl Hiaasen novel—and I wonder how many of them are still going to be speaking to Feinstein after reading this book.

For the golf-knowledgeable teen audience at which this book is aimed, the big-name golfers who are mentioned will be well-known figures, and those readers might get a kick out of reading a story in which these stars of the PGA Tour interact with a teenaged golfer, even if the conversations and situations feel awkward and contrived—which they do.

The inclusion of real people from golf broadcasting, such as Joe Buck, Paul Azinger, Brandel Chamblee, and Holly Sonders, will pique the interest of young readers who watch golf on TV, but the use of the real names of people from the behind-the-scenes operations, and from the print-media world, will go right over the heads of the young reading audience (and many older readers, too…). On the other hand, readers and reviewers who actually know these people (and I know, or at least have met, a few of them) will find it odd to see in print a fictionalized version of a known person. This aspect of the book rings false with me, and seems rather pointless, all things considered.

Other aspects of the story are also rather uneven. While the overall “voice” of the book has a decided YA tenor, it wanders back and forth between over-explaining simple aspects of the game, as if catering to non-golfers, and using shorthand references that only a reader who is well-versed in the game will understand.

There are curious (and admittedly, mostly minor) lapses that will bother the knowledgeable golfer (or maybe just golf writers who are also editors…). For instance, when setting the scene for the section of the book in which Frank is playing in the 2017 U.S. Amateur, at Riviera Country Club, Feinstein describes the club’s location as being “…a few miles east of the Pacific Ocean…”, but Riviera’s westernmost border lies a scant mile or so from the beach. (Yeah, it’s a nit, but it caught my eye because I specifically checked it for a column I did a few years ago about Ben Hogan’s history at Riviera.) 

Another little faux pas that caught my attention was a misquote of the tagline from the USGA’s pace-of-play campaign of a couple of years back (a line borrowed from a scene in Caddyshack), which is cited as “While we’re still young”, rather than the correct line, which is just “While we’re young.” There are a few other instances like that scattered throughout the book—small things, but noticeable to the knowledgeable, and attentive, reader.

One thread that runs through the latter part of the story, and one which I relished, is a series of subtle, and not-so-subtle, digs at Augusta National Golf Club and the Masters—and their fussy rules and regulations, which are capriciously enacted and vigorously enforced, such as their insistence on referring to spectators on the grounds of the club as “patrons”, a ban on cellphones on the grounds (which Frank is gently but firmly admonished for joking about in an interview), and the use of the terms “first nine” and “second nine” instead of “front nine” and “back nine”. The Keith Forman character is characterized as “…(knowing) he was privileged to cover the Masters and (that) he was in a place any golf fan would kill to be, but the atmosphere of the place—the entitlement of it all—made him feel a bit squeamish.” I’m with Keith on that one.

All in all, while The Prodigy is an engaging read, especially for young golf fans, the overall scenario—which I cannot fully describe without introducing spoilers—is a little over-the-top, and the scenes which involve real-life people from the golf world feel forced and unrealistic. These things might not matter to, or be noticed by, the intended teenage audience, but adult readers, especially those with a bit of familiarity with the personalities involved, will squirm a little over some of those passages.

Book review: “The First Major –The Inside Story of the 2016 Ryder Cup”, by John Feinstein ☆☆☆☆ ½☆

A new book from New York Times bestselling author John Feinstein is always a treat. He is a sports journalist non pareil, as erudite and knowledgeable – across a wide spectrum of sports, not just golf – as he is prolific, and his latest “The First Major: The Inside Story of the 2016 Ryder Cup” is his 28th non-fiction sports book.

Feinstein has written about all the major sports that define America’s sporting life, from pro tennis to NFL football. Even if you don’t read sports books, you may know his work from his time at Sports Illustrated, or his current stints at the Washington Post and Golf Digest – or you may hear him on the radio on Sirius XM, or see him on television on the Golf Channel. In fact, if you are an American sports fan, of any stripe, this introductory paragraph is probably a waste of my time, because you already know his work.

The upshot of this recitation of Feinstein’s bona fides is that he is a sports journalist that professional athletes know and trust, and getting the best stories, the inside dope, requires the ability to get athletes to talk to you. John has that ability, and it certainly shows in his latest effort.

The 2016 Ryder Cup, which was played at the self-styled Hazeltine National Golf Club, near Chaska, Minnesota – a suburb of Minneapolis, was a watershed moment in the history of that storied event. It was the year that the United States stopped a European squad that had dominated the event with three wins in a row, from 2010 through 2014 – the third time in recent decades that the U.S. team had stopped a European run of victories at three. The first time was in 1991, after European victories in 1985, 1987, and 1989; then again in 2008, after the Euro squad took top honors in 2002, 2004, and 2006.

The 2016 event was notable for the wild swirl of events in the world of golf that led up to it, not the least of which was the rancorous atmosphere of the previous Ryder Cup, the 2014 event in which the venerable elder statesman Tom Watson was brought back to try and repeat his 1993 success as Ryder Cup skipper.

A clash of styles and a lack of communication – not to mention something of an uprising in the ranks, led by another respected figure in U.S. Ryder cup history, Phil Mickelson, doomed Watson’s leadership in 2014. The U.S. golf establishment – meaning the PGA of America, which runs the event for the red, white, and blue – wanted to wash away the bad taste that was left by the 2014 loss, and to that end they formed a Ryder Cup “task force” – a committee, widely derided by the European players and media – which was supposed to solve the Americans’ Ryder Cup problems.

Feinstein lays out the background, both recent and historical, that underpins the 2016 Ryder Cup, then digs into the personalities and near-term events which defined that contest, including the task force, and the selection of Davis Love III as U.S. captain, for a repeat performance after his stint as U.S. skipper in the agonizing 2012 loss at Medinah, which was controversial.

One headline-grabber was the social media clash between then-PGA President Ted Bishop and Euro Ryder Cup stalwart Ian Poulter, a schoolyard-worthy spat that resulted in Bishop’s unceremonious ouster for a series of childish remarks leveled at Poulter; another, coming much closer to the event, was the heated, and totally spontaneous, on-air spat between Golf Channel analysts Brandel Chamblee and David Duval over the relative importance of leadership and individual play.

During the event, one of the big stories was the play of Patrick Reed, both as a partner with his temperamentally polar opposite Jordan Spieth, and solo, as the man who took down the boisterous, and boastful, Rory McIlroy of the Euro squad in Sunday singles.

Another social-media-based dust-up occurring before and during  play was the attention-seeking U.S.-bashing promulgated by PJ Willett, the schoolteacher older brother of then-reigning Master champion Danny Willett. The elder Willett brother teed off on American fans in an article for a British sports publication, and in a series of posts on Twitter, guaranteeing a raucous reception by the bottom 10% of American fans.

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The strength of Feinstein’s work, and this book is no exception, is the time and effort he puts into interviews, and the wealth of material he obtains by doing so. No sound bites or quickly tossed-off aphorisms are to be found here – everyone involved in the event talked to him, some at length (with one exception – U.S. vice captain Tiger Woods. No surprise there.)

I will admit that I am not a huge fan of the Ryder Cup. It has become, in my opinion, an overblown, over-amped biennial hype-fest, owing its notoriety more to rancor than to great golf – but Feinstein’s writing drew me in. His research is so thorough and his insights so telling and precise that even though he was writing about an event which I have come to dislike over the last few years, I couldn’t put the book down.

Reading closely with a critical eye will turn up errors and shortcomings in almost any book, especially one on a subject in which I have an interest, and a certain store of knowledge (if I say so myself…)

I could have done without quite so much background on the head pro and superintendent of Hazeltine. They deserve to be mentioned, of course, but the pages of background on these two men started to wear thin – and to feel, frankly, like word-count padding.

More seriously, it was a little bit disappointing to see some pretty shocking errors in the text. First and foremost was a rather egregious misquoting of Ben Crenshaw’s iconic, well-known, and oft-quoted conclusion to his Saturday-night press conference at the 1999 Ryder Cup at The Country Club, Brookline, Massachusetts: “I’m gonna leave y’all with one thought, them I’m gonna leave. I’m a big believer in fate. I have a good feeling about this. That’s all I’m gonna tell ya.” – which Feinstein styled as “I’m gonna leave y’all with this: I’m a big believer in fate. I have a feeling about this.”

In a section about Davis Love II, the well-liked father of 2012/2016 Ryder Cup skipper Davis Love III, Feinstein casually mentions that the elder Love had played with Harvey Penick, then dismissed Penick as the cowriter of what is considered one of the game’s holy texts, Harvey Penick’s Little Red Book, a rather glaring mischaracterization of one of American golf’s most revered figures. 

These two errors, along with a host of lesser faux pas that should have been caught by a good copy editor, left a bit of tarnish on the otherwise gleaming aspect of the book, and took a half-star off of my assessment.

Regardless, if you love golf, and good golf writing, this book deserves a spot in your bookshelf. Buy it for yourself, or since the holidays are upon us as of this writing, put it on your Christmas list, golf lovers, and keep your fingers crossed.